Abstract：Ancient Chinese society has long attached great importance to posthumous reputation, which gave rise to a distinctive funerary practice: erecting stelae above ground along the spirit way and placing epitaphs below ground in the burial chamber—a custom known as the parallel tradition of above-ground stelae and entombed epitaphs. Enduring for over a millennium, this tradition became a defining characteristic of traditional Chinese funeral culture. Current academic research on this parallel tradition remains predominantly focused on case studies, particularly comparative textual analyses of stelae and epitaphs dedicated to the same individuals, while comprehensive macro-level studies are still relatively inadequate. As a funerary custom, it falls within the scope of historical research; at the same time, given its intrinsic connection to literary composition, it can also be incorporated into the realm of literary studies. This article primarily examines the tradition from the perspective of evolving funeral practices, while also exploring the evolution of concepts regarding its textual composition.The custom of using stelae and epitaphs in parallel had already emerged during the Northern and Southern Dynasties. In the Southern Dynasties, however, its development was less prosperous than in the Northern Dynasties, due to persistent restrictions on erecting stone inscriptions. By the late Northern Zhou period, this custom had basically taken shape, as evidenced by Yu Xin, who left behind several sets of parallel stelae and epitaphs. How did this tradition evolve during the Tang and Song dynasties? What impact did it have on the funeral customs of the Ming and Qing periods? These questions all deserve in-depth discussions. This article systematically collects and draws on transmitted documents, excavated materials, and contemporary research findings to sort out its developmental context.The Sui Dynasty lifted the previous ban on erecting stelae and established a system governing stelae and tablets, thereby promoting the further development of the parallel tradition of stelae and epitaphs. After the establishment of the Tang Dynasty, with the relaxation of restrictions on stelae erection and the rising status of civil officials, this practice expanded from the aristocratic and meritorious elite to the literati-official class. From the High Tang period onwards, this custom became even more widespread among the literati class; in addition, the trend of posthumous and retrospective erection of stelae and tablets became prevalent, leading the parallel tradition of stelae and epitaphs to flourish. By the Mid-Tang period, the concurrent use of epitaphs and stelae in funerals had become extremely prevalent among the civil official group. During the Late Tang and Five Dynasties, this custom persisted without interruption.By the mid-Northern Song Dynasty, policies governing stelae erection were further relaxed, and the parallel tradition of stelae and epitaphs reached its peak, particularly among the literati-official class. During this period, the trend of posthumous and retrospective erection of stelae became even more prevalent, and there were even many cases where multiple stelae were erected for a single individual—reflecting the bereaved families’ persistent pursuit of disseminating the deceased’s reputation. In the mid-to-late Northern Song Dynasty, although figures such as Sima Guang and Su Shi raised objections to the separate composition of texts for parallel stelae and epitaphs, they did not explicitly deny the funeral custom of the parallel use of stelae and epitaphs itself. By this time, the initial signs of the convergence of stelae and epitaphs had already emerged. During the Southern Song Dynasty, with the southward shift of the political and economic centers, the further dissemination of culture among broader social strata, and the development of printing, the parallel tradition of stelae and epitaphs exhibited the characteristics of social stratification and formal transformation. Specific manifestations included the blurring of stylistic boundaries between stelae and epitaph texts, their textual convergence, and evolving burial practices such as “using epitaphs as stelae”. Throughout the Yuan, Ming, and Qing dynasties, the system governing stelae and tablets remained largely unchanged, and the custom of the parallel use of stelae and epitaphs also persisted, especially among the middle- and upper-ranking official classes. However, from an overall perspective, its actual influence gradually declined during the Ming and Qing periods. By the late Qing Dynasty and the Republic of China period, the use of entombed epitaphs further declined, and the stone-carving-based funeral system generally shifted to focusing on above-ground stone carvings for commemoration.
罗昌繁. 唐宋碑志并行流变论略[J]. 浙江大学学报(人文社会科学版), 2026, 56(9): 47-63.
Luo Changfan. The Evolution of the Parallel Tradition of Above-ground Stelae and Entombed Epitaphs in Tang-Song China. JOURNAL OF ZHEJIANG UNIVERSITY, 2026, 56(9): 47-63.
2026, Vol. 56 
