浙江大学学报(人文社会科学版)
 
   2025年5月21日 星期三   首页 |  期刊介绍 |  编委会 |  投稿指南 |  信息服务 |  期刊订阅 |  联系我们 |  预印本过刊 |  浙江省高校学报研究会栏目 |  留言板 |  English Version
浙江大学学报(人文社会科学版)
栏目 最新目录| 下期目录| 过刊浏览| 高级检索 |
论中古写本文献的署名方式——以唐诗写本为核心的考察
咸晓婷
A Research on the Signature of Middle Ancient Chinese Manuscripts: Centered on Poetry Manuscripts of the Tang Dynasty
Xian Xiaoting

全文: PDF (1471 KB)  
输出: BibTeX | EndNote (RIS)      
摘要 

在我国古典文献的发展史上,署名并非从一开始即存在,而是经历了一个漫长的从无到有、从简单到复杂的发展过程。探讨古典文献署名的源起、体式及特征等必须以原始文献为基础。汉魏之际,在经学、文学、史学的发展之下,经史子集四部逐渐出现了独立署名,以姓氏或姓名署,并在魏晋以后渐成常例。到隋唐时期,四部典籍和各类文体的署名方式基本确立,但又各有分野,其中以诗歌最为复杂多样,有自署,有他署,有以姓名署、以字署、以官衔署。“某官某”逐渐成为文献署名的一般体式。就书写方式而言,写本诗歌的署名与印刷文本相比更为复杂、随意、多样。我国古典文献独立署名的出现和体式的确立与我国学术发展和文体发展的历程密不可分,每种署名方式背后都是一部学术史和文化史。

服务
把本文推荐给朋友
加入我的书架
加入引用管理器
E-mail Alert
RSS
作者相关文章
咸晓婷
关键词 古典文献中古写本署名方式唐诗写本体式    
Abstract

In the history of the ancient Chinese classical documents, the signature did not start from the beginning, but came to appearance through a long development process, gradually evolving from simple to mature. It shall base on the original documents to explore the signature origin, style and characteristics of the classical documents. Until the Sui and Tang Dynasties, the signature method of four books, poems and essays, and other literary forms was basically established, each having individual distinctions. The signature of the four books in the Warring States Period and the Han Dynasty used surname or name and it was originally signed by other people, then later, signed by the author himself. It gradually became common practices in the Wei and Jin Dynasties. In terms of its method, it maintained using the name as signature until the Tang and Five Dynasties, which was simple without official title or other revealing information about the author’s identity. Documents presented to the Emperor were not included.  It was the poetry that had the most complex and diverse signatures, including autograph and surrogate signatures. In the existing stone inscriptions, assigned poems, responsorial poems, offering poems, presentable poems, inscription poems and etc. generally preserved the original features of autographs of the Tang poetry, while poetry manuscripts from Dunhuang mostly had surrogate signatures. In terms of methods, there were name signature, courtesy name signature and official title signature, the last of which also had a difference between the simple and complex versions. Signatures of ode, exposition and argumentation were primarily signed by others in name or official title with a relatively simple version as that of the poetry, because most of the existing Dunhuang manuscripts were private copies. Signatures of monument, inscription, praise, epitaph, brief biographical sketch of a deceased person were similar to those of the imperial edict, imperial mandate, memorial to an emperor, petitions to throne and other official documents, which were most onerous that should list all the official titles one by one. In several signature methods, the most efficient way to identify the author was to sign the official title ″officer so-and-so″ than simply signing one’s name. Compared with the way of listing all the official titles used by monument, inscription, praise and etc. it effectively avoided the cumbersome drawbacks. This way of signature gradually became the general style to sign documents in later generations.  Because of the prosperity of printing in the Song Dynasty, the distinction between the four books and essays and poems was fading away. The literature signature became more and more diverse and complicated. However, basic ways undoubtedly inherited that of the Sui and Tang Dynasties. On the other hand, compared with the printed document, handwriting manuscript had a more complex, casual and diverse signature way with multiple uncertain liquidity characteristics. All in all, the emergence of independent signature of the ancient Chinese classical documents and the style formation of it were closely related to the development of academic and literary forms. Each signature style and its wide application experienced a long historical process. Behind each of them, there was an academic history and cultural history.

Key wordsClassical literature    middle ancient Chinese manuscripts    signature    Tang poetry manuscripts    style   
    
引用本文:   
咸晓婷. 论中古写本文献的署名方式——以唐诗写本为核心的考察[J]. 浙江大学学报(人文社会科学版), 2015, 1(5): 21-30. Xian Xiaoting. A Research on the Signature of Middle Ancient Chinese Manuscripts: Centered on Poetry Manuscripts of the Tang Dynasty. JOURNAL OF ZHEJIANG UNIVERSITY, 2015, 1(5): 21-30.
链接本文:  
https://www.zjujournals.com/soc/CN/     或     https://www.zjujournals.com/soc/CN/Y2015/V1/I5/21
发表一流的成果,传播一流的发现,提供一流的新知

浙ICP备14002560号-5
版权所有 © 2009 浙江大学学报(人文社会科学版)    浙ICP备05074421号
地址:杭州市天目山路148号 邮编:310028 电话:0571-88273210 88925616 E-mail:zdxb_w@zju.edu.cn
本系统由北京玛格泰克科技发展有限公司设计开发  技术支持:support@magtech.com.cn