浙江大学学报(人文社会科学版)
 
   2025年5月18日 星期日   首页 |  期刊介绍 |  编委会 |  投稿指南 |  信息服务 |  期刊订阅 |  联系我们 |  预印本过刊 |  浙江省高校学报研究会栏目 |  留言板 |  English Version
浙江大学学报(人文社会科学版)
□ 新闻与传播学研究 最新目录| 下期目录| 过刊浏览| 高级检索 |
“华莱坞电影”的理论旅行——本土学术概念国际传播的知识社会学考察
袁靖华、邓洁
The Travelling Theory for "Huallywood" as Seen from the Perspective of the Sociology of Knowledge
Yuan Jinghua Deng Jie

全文: PDF (2602 KB)  
输出: BibTeX | EndNote (RIS)      
摘要  中国电影理论研究及其话语生产长期由西方理论话语主导,如何确立中国电影理论话语的独立自主性,始终困扰着本土电影研究者,而关于中国电影的概念辩争则是话语激烈争夺的前沿。“华莱坞电影”概念的提出及其理论话语体系的构建,力图革新长期被西方理论话语及其概念命名所辖制的中国电影研究版图,引来国内外众多学者追随,并自东向西输出到欧美学界,实现了反向“理论旅行”。其从新世界主义视域和华夏传播理论立基,进行融通中外的学术对话,在国际的理论旅行中形成了既源于本土又向世界开放的兼容并蓄的理论话语体系。这对探路中国电影研究建构理论话语主体性的突破方向,构建融通中外的知识话语体系,管窥全球化时代中国学术话语参与世界思想丛林竞争的国际话语权问题,有着重要的应用价值和启迪意义。
服务
把本文推荐给朋友
加入我的书架
加入引用管理器
E-mail Alert
RSS
作者相关文章
袁靖华、邓洁
关键词 华莱坞电影理论旅行新世界主义华夏传播主体性知识社会学    
Abstract:The theoretical research and discourse production in Chinese films has long suffered from the hegemonic input of the Western theoretical discourse. This is mainly reflected in the conceptual naming of Chinese films. The naming has undergone changes such as “national cinema”, “Chinese-language cinema” and “transnational Chinese cinema”, most of which are appellations imported from the West. How, then, to establish an independent theoretical discourse in Chinese films? How to own?the right to interpret the identity of the Chinese film in the world’s ideological jungle? Lastly, how to achieve a balance between “national” (internal) and “global” (external)? These questions have always troubled Chinese researchers, and in consequence have brought the conceptual debate on Chinese film to the forefront of a fierce struggle concerning discourse power in this field. The concept of “Huallywood film” and the construction of its theoretical discourse system may be regarded as an attempt to reform Chinese film research, an area that has long been governed by Western theoretical discourse. It aims at forming a new concept, a new theory, and a new discourse system that have been independently named by Chinese scholars. It has attracted the attention of many scholars from China as well as other countries, embarking on a reverse “theoretical journey” from East to West. In fact, it has become a research subject of far-reaching importance. Previous studies on the achievements of Huallywood film are usually literature reviews or bibliometric analyses. They contain only the description of phenomena in reviews and lists of research results, focusing on purely domestic achievements and generally lacking any methodological breakthrough. To date, there has been no in-depth analysis based on the theoretical path taken by knowledge sociology and genealogy and no study on the international spread of the Huallywood film theory. This paper therefore makes a comprehensive and detailed theoretical study on the international communication of the Huallywood film theory for the very first time, exploring the way in which, as a native original concept and theory, Huallywood film is generated and spread globally. We adopt the “travelling theory” research perspective and the analysis path based on knowledge sociology and genealogy. It transitions from a general description of the phenomenon to an in-depth investigation of the occurrence mechanism and power source of knowledge production, innovation, and diffusion. Breakthroughs in the depth, breadth, perspective, and methodology of the literature research can be found in this paper. The research findings are as follows: Huallywood film is a typical example of a theory based on the perspective of new cosmopolitanism and the theory of Huaxia Communication, connecting?China?to?the?world through academic dialogue. In its international travel, it has formed an inclusive theoretical discourse system that originated in China and is now open to the world, with its theoretical connotations being clarified and its international influence continuously expanding. Taking Huallywood film theory as an example, this paper also examines the international communication and influence of innovative Chinese academic concepts. This investigation could provide practical and enlightening ideas for its readers in the direction for the construction of Chinese film research subjectivity, thus building up a theoretical discourse system that connects?China?to?the?world. Also, this paper could hugely benefit the exploration of the international discourse power of Chinese academic studies within a highly competitive ideological jungle in the era of globalization.
Key wordsHuallywood    film    the travelling theory    new world doctrine    Huaxia spread    subjectivity    sociology of knowledge   
     出版日期: 2022-09-06
引用本文:   
袁靖华、邓洁. “华莱坞电影”的理论旅行——本土学术概念国际传播的知识社会学考察[J]. 浙江大学学报(人文社会科学版), 0, (): 1-. Yuan Jinghua Deng Jie. The Travelling Theory for "Huallywood" as Seen from the Perspective of the Sociology of Knowledge. JOURNAL OF ZHEJIANG UNIVERSITY, 0, (): 1-.
链接本文:  
https://www.zjujournals.com/soc/CN/10.3785/j.issn.1008-942X.CN33-6000/C.2022.08.026     或     https://www.zjujournals.com/soc/CN/Y0/V/I/1
发表一流的成果,传播一流的发现,提供一流的新知

浙ICP备14002560号-5
版权所有 © 2009 浙江大学学报(人文社会科学版)    浙ICP备05074421号
地址:杭州市天目山路148号 邮编:310028 电话:0571-88273210 88925616 E-mail:zdxb_w@zju.edu.cn
本系统由北京玛格泰克科技发展有限公司设计开发  技术支持:support@magtech.com.cn