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浙江大学学报(人文社会科学版)  2024, Vol. 54 Issue (10): 137-149    DOI: 10.3785/j.issn.1008-942X.CN33-6000/C.2023.08.141
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论西方女性气质概念的建构、解构与重构
高奋, 叶晓娟
浙江大学 外国语学院,浙江 杭州 310058
Construction, Deconstruction and Reconstruction of the Western Concept of “Femininity”
Gao Fen, Ye Xiaojuan
School of International Studies, Zhejiang University, Hangzhou 310058, China

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摘要 西方女性气质概念的内涵可以从父权制文化、女性主义思潮与批评以及跨学科研究三个阶段的建构、解构和重构加以梳理。父权制为维护男性霸权地位,从社会现实、文艺虚构和意识形态三方面建构了女性气质的从属性、陪衬性和规范性特征。女性主义思潮以现实为研究对象,解构父权制所定义的女性气质,指出女性气质是由女性身体展现的。女性主义批评以文学为研究对象,分析女性形象和女性书写,阐明从自我牺牲到自我幻想与自我逃离再到自我建构的女性气质嬗变过程及身体书写、女人腔等女性话语特质。跨学科研究揭示了关怀伦理与美德伦理是女性气质的要素,家庭空间是具有文化价值的场所,女性心理具有直觉性、感悟性、和谐性等特征。女性气质概念的建构、解构与重构昭示了西方文化从社会到文化再到精神的性别认知进程。
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高奋
叶晓娟
关键词 女性气质父权制女性主义思潮女性主义批评跨学科研究关怀伦理女性心理    
Abstract:The concept of “femininity” in the West carries a multi-facet and progressive understanding of women’s social identity, gender characteristics, body style and spirit of life. Its connotations can be sorted out from the three stages of construction, deconstruction and reconstruction in patriarchal culture, feminist movement and criticism, and interdisciplinary research. In order to maintain the hegemonic position of men, patriarchal culture constructs the subordinate, accompanying and normative characteristics of femininity from the perspectives of social reality, literary fiction and ideology, and divides them into “emphasized femininity”, “hegemonic femininity”, “pariah femininity”, “subordinate femininity” and so on, to celebrate subordinate femininity and devalue autonomous femininity. Feminist movement and criticism have both gone through developmental stages of deconstructing and constructing femininity. Feminist movement takes social reality as its object of study, which attacks the status quo of inequality between men and women, and criticizes and denies the femininity constructed by patriarchy, and calling for attention to the gender differences between men and women. Feminists, on the basis of post-structuralist and Western Marxist theories, articulate the view that femininity is not externally imposed but is manifested by the female body, pointing out that the physical and cultural characteristics of women that patriarchy defines as “deficient” and “lacking” are precisely the manifestations of femininity. British and American feminist criticism and French feminist criticism take literary works as the object of study, and through analyzing female image and female writing, they respectively elucidate the transmutation process of femininity from self-sacrifice to self-fantasy and self-escape to self-construction and the qualities of female discourse such as ecriture feminine and parler-femme. Interdisciplinary research has not only provided a general overview of femininity in terms of physical appearance, ethical orientation, caring and nurturing abilities, psychological and personality traits, but also provided in-depth ethical, spatial, and psychological reconstructions of the characteristics of femininity. From the ethical dimension, academics have put forward the idea that the ethics of caring and the ethics of virtue are the core elements of femininity, affirming the importance of women’s virtues of caring, empathy, and altruism so as to break through the limitation of femininity that is confined to the body, and to examine in depth the value of women’s personalities and thoughts. From the spatial dimension, academics have analyzed the important role of the domestic space as the basis for the reconstruction of women’s images and identities, and have proposed that the domestic space be regarded as a culturally valuable place as a means of enhancing the identification of the social nature of femininity. From a psychological perspective, the concept of “conscious femininity” has been proposed to reveal the intuitive, perceptive and harmonious features of the female psyche and its value, and to deepen the understanding of the female psyche and mind. The construction, deconstruction and reconstruction of the concept of “femininity” illustrate the development of the Western understanding of gender from social to cultural to spiritual. By examining the historical origin and cutting-edge progress of the concept of “femininity” from social, historical, cultural, literary, gender, ethical, spatial, and psychological perspectives, and by revealing its constructive nature, we can not only reassess the achievements and value of feminist thought and criticism, but also recognize the necessity and importance of interdisciplinary research on feminism, gender studies, and literary criticism.
Key wordsfemininity    patriarchy    feminist movement    feminist criticism    interdisciplinary studies    ethics of care    feminist psychology   
收稿日期: 2023-08-14     
基金资助:国家社科基金一般项目(22BWW040)
作者简介: 高奋(https://orcid.org/0000-0002-4224-3698),女,浙江大学外国语学院教授,博士生导师,文学博士,主要从事英美文学研究;叶晓娟(https://orcid.org/0009-0003-9580-5505),女,浙江大学外国语学院博士研究生,主要从事美国文学研究;
引用本文:   
高奋, 叶晓娟. 论西方女性气质概念的建构、解构与重构[J]. 浙江大学学报(人文社会科学版), 2024, 54(10): 137-149. Gao Fen, Ye Xiaojuan. Construction, Deconstruction and Reconstruction of the Western Concept of “Femininity”. JOURNAL OF ZHEJIANG UNIVERSITY, 2024, 54(10): 137-149.
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https://www.zjujournals.com/soc/CN/10.3785/j.issn.1008-942X.CN33-6000/C.2023.08.141     或     https://www.zjujournals.com/soc/CN/Y2024/V54/I10/137
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